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SAT SAT-Critical-Reading Exam Syllabus Topics:

SectionWeightObjectives
Topic 1: Information and Ideas45%- Inferences and Implications
  • 1. Draw logical conclusions
  • 2. Understand implicit meaning
- Command of Evidence
  • 1. Support conclusions with textual evidence
  • 2. Interpret data from graphics
- Central Ideas and Details
  • 1. Identify main theme and summary
  • 2. Locate specific details and facts
Topic 2: Craft and Structure35%- Cross-Text Connections
  • 1. Synthesize information across texts
  • 2. Compare and contrast paired passages
- Text Structure and Purpose
  • 1. Determine author's purpose and perspective
  • 2. Identify organization and development
- Words in Context
  • 1. Determine word meaning from context
  • 2. Analyze rhetorical word choice
Topic 3: Sentence Completion20%- Vocabulary and Sentence Logic
  • 1. Complete sentences with appropriate vocabulary
  • 2. Understand grammatical and logical relationships
Topic 4: Passage Content Domains- U.S. and World Literature
- History and Social Studies
- Science

SAT Section One : Critical Reading Sample Questions:

1. This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
The word "infused" in 1st paragraph most closely means

A) nuanced.
B) influenced.
C) illuminated.
D) bewildered.
E) saturated.


2. The storyteller's ______ anecdotes earned her the ______ attention of the crowd.

A) compelling. .rapt
B) pointed. .spellbound
C) meandering. .distracted
D) moribund. .lucid
E) poignant. .abrasive


3. Big earthquakes are naturally occurring events well outside the powers of humans to create or stop. An
earthquake is caused by a sudden slip on a fault. Stresses in the earth's outer layer push the side of the
fault together. The friction across the surface of the fault holds the rocks together so they do not slip
immediately when pushed sideways. Eventually enough stress builds up and the rocks slip suddenly,
releasing energy in waves that travel through the rock to cause the shaking that we feel during an
earthquake. Earthquakes typically originate several tens of miles below the surface of the earth. It takes
many years-- decades to centuries--to build up enough stress to make a large earthquake, and the fault
may be tens to hundreds of miles long. The scale and force necessary to produce earthquakes are well
beyond our daily lives. Likewise, people cannot prevent earthquakes from happening or stop them once
they've started--giant nuclear explosions at shallow depths, like those in some movies, won't actually stop
an earthquake.
The two most important variables affecting earthquake damage are the intensity of ground shaking cased
by the quake and the quality of the engineering of structures in the region. The level of shaking, in turn, is
controlled by the proximity of the earthquake source to the affected region and the types of rocks that
seismic waves pass through en route (particularly those at or near the ground surface). Generally, the
bigger and closer the earthquake, the stronger the shaking. But there have been large earthquakes with
very little damage either because they caused little shaking or because the buildings were built to
withstand that shaking. In other cases, moderate earthquakes have caused significant damage either
because the shaking was locally amplified or more likely because the structures were poorly engineered.
You can conclude from this passage that

A) there are steps that people can take to prevent or at least mitigate earthquakes
B) all earthquakes are equally dangerous
C) earthquakes occur all over the world
D) very little is known about earthquakes
E) scientists understand a great deal about the origins of earthquakes but are powerless to stop them


4. Benjamin Franklin said that ______ is not always a virtue; there are times when you must speak up for
yourself.

A) modesty
B) pride
C) sham
D) forthrightness
E) prudery


5. Children today are being taught to be ______ of any abnormality including strangers, standing packages,
or simply anything out of the order; not for merely their own good, but for the good of the community--such
are the times we now live in.

A) skittish
B) shy
C) challenging
D) impudent
E) wary


Solutions:

Question # 1
Answer: B
Question # 2
Answer: A
Question # 3
Answer: E
Question # 4
Answer: A
Question # 5
Answer: E

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